Before Curtain-Rise: Two Figures Seen from Above

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Tom Gurney BSc (Hons) is an art history expert with over 20 years experience
Published on June 19, 2020 / Updated on September 28, 2026
Email: tomgurney1@gmail.com / Phone: +44 7429 011000

Degas Before The Curtain Call: Introduction

A woman in a green dress looks down toward her hands. Another figure in dark clothing sits or leans beside her. Edgar Degas places them behind a strong diagonal edge and views them from high above. The pastel is catalogued as Avant le lever du rideau, or Before the Curtains Rise, Schulman MS1645 / Lemoisne IV-1116. It dates to 1892 in the specialist record, which identifies it as pastel on paper in the Wadsworth Atheneum Museum of Art, Hartford, accession 1956.477. [1] [3] [4]

“Before the Curtain Call” is an imprecise English title for this work. A curtain call follows a performance, whereas avant le lever du rideau places us before the curtain rises. A National Gallery of Art exhibition checklist calls the work Before Curtain-Rise and dates it c.1892. That title gives a sense of anticipation without claiming a specific moment in a known production. [1][2]

The work at a glance

  • ArtistEdgar Degas (1834–1917)
  • Specialist titleAvant le lever du rideau / Before the Curtains Rise
  • Exhibition titleBefore Curtain-Rise
  • Date1892 in the specialist catalogue; c.1892 in the NGA checklist
  • Medium and supportPastel on paper
  • DimensionsSpecialist catalogue: 51 × 34 cm; NGA checklist: 50.8 × 34.3 cm
  • CollectionWadsworth Atheneum Museum of Art, Hartford, 1956.477
  • Catalogue referencesSchulman MS1645; Lemoisne IV-1116

Contents

  1. Introduction
  2. At a Glance
  3. A steep view of a quiet interval
  4. What pastel contributes
  5. A documented object, several titles
  6. Looking again

A steep view of a quiet interval

The viewpoint is immediately unusual. We look down at the top of the woman's head and across her shoulders to hands resting low in her lap. The second figure bows forward. Their faces do not invite portrait-like recognition: one is tipped down, the other partly concealed. This high angle lets Degas make an arrangement from bodies, costume and surrounding surface, while leaving the exchange between the figures unresolved. [1]

The woman at left is marked by cool blue light on her face and chest. Her green sleeves and skirt are laid in with brighter strokes that cut against the brown-grey setting. A dark-haired companion at right has a more enclosed silhouette. The companion's dark upper garment nearly merges with the shadowed background, while green and blue marks across the lower half visually connect the two figures. The painting does not tell us their names, occupations or relationship. [1]

One small light appears near the upper-left corner, and a pale diagonal boundary runs behind the pair. Another broad light passage crosses the lower edge. These sloping divisions keep the composition from becoming a simple portrait of two seated people. They give the eye a route through the image: from the little light, down the slanted edge, across the green costume and into the dense marks near the bottom. [1]

The diagonal also creates uncertainty about exactly where the figures are sitting. It may suggest a boundary or passage in a theatre interior, but the specialist catalogue does not name an architectural feature. The secure observation is the contrast between the two figures and the slanting lighter surfaces around them. [1]

What pastel contributes

Degas's pastel strokes stay visible throughout the picture. On the woman's skirt they run downward in narrow bands; across the lower portion they cross and overlap in greys, oranges and blue-greens. Some contours are precise enough to locate an arm or hand, then soften into the surrounding colour. This mixture makes the figures feel both close and hard to pin down. [1]

The central green is hardly one uniform hue. Yellow-green highlights touch the sleeves and lower costume, while blue-green and grey carry the shaded areas. The companion's darker clothing is built from browns, olive greens and blackish marks. A single colour can therefore belong to clothing, shadow and setting at once. The figures emerge through changes in pressure, direction and light, rather than through firm outlines on every side. [1]

The close crop reinforces the high viewpoint. The woman's full skirt fills much of the narrow paper, leaving little room for a conventional view of a stage or audience. We are drawn to the moments before movement: lowered heads, gathered hands and a costume spreading over the space between them. This is a reading of the image, not a documented account of what the figures are about to do. [1]

Watch: Edgar Degas

Explore his paintings, drawings and sculpture in three short videos.

A documented object, several titles

The specialist catalogue records the pastel as 51 × 34 cm, signed at the upper right, with Lemoisne number IV-1116. The NGA checklist for Degas at the Opéra supplies 50.8 × 34.3 cm, effectively the same dimensions at a finer precision, and gives the Wadsworth credit line as the Ella Gallup Sumner and Mary Catlin Sumner Collection Fund. These independent records link the image, subject and accession to a single Wadsworth work. [1][2]

The catalogue traces the pastel from Degas's studio through Paul Cassirer, Durand-Ruel and later owners before its 1956 acquisition by the Wadsworth. It also records appearances in New York exhibitions in 1960 and 1978 and in Degas: A New Vision in Melbourne and Houston in 2016–17. This history supports identification of the object; it does not specify who the pictured figures were. [1]

The inherited English phrase “Before the Curtain Call” suggests an event after the performance. The French Avant le lever du rideau and NGA's Before Curtain-Rise place the scene before the curtain rises. That distinction matters when reading the figures' poised interval: the title points toward something about to begin, without specifying their next action. [1][2]

Looking again

Compare the two heads and the two kinds of costume. The left figure's lowered gaze and luminous green skirt draw us in, while the companion forms a darker counterweight. Then follow the diagonals behind and beneath them. Degas makes a small, uncertain pause feel expansive by letting the pastel marks carry movement across the whole sheet. [1]

Artworks directory

A selected index of documented works, combining owner records with entries sampled across Michel Schulman’s digital catalogue raisonné. It is not a complete catalogue. View the full catalogue

406 artworks

NameDateMedium
>Group of dancers (MS 77)1893Pastel
[Self-Portrait with Christine and Yvonne Lerolle]probably 1895–96Photograph
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)1865Oil painting
Achille de Gas as midshipman (MS 718)1857Painting
Achille Degas (MS 715)1864Painting
After the bath - Woman Drying Herself (MS 1038)1888—1892Pastel
After the bath (MS 1037)1893Pastel
After the bath (MS 1046)1905Pastel
After the bath (MS 1060)1895Pastel
After the bath (MS 1061)1898Pastel
After the bath (MS 1062)1895Pastel
After the bath (MS 1063)1896Painting
After the bath (MS 1064)1896Painting
After the bath (MS 1065)1896Painting
After the bath (MS 1391)1900Pastel
After the bath (MS 1402)1888Pastel
After the bath (MS 1744)1886Pastel
Arlequin et danseuses (MS 2224)1884Pastel
At the café Châteaudun (MS 1913)1869—1871Painting
At the horse track (MS 1929)1869—1872Painting
At the Milliner's1881Pastel
At the milliner's (MS 2587)1882—1885Painting
At the milliner's (MS 562)1882Pastel
At the milliner's (MS 565)1882Pastel
At the milliner's (MS 567)1885Painting
At the races (MS 85)1861Painting
At the races - Jockeys (MS 92)1868Painting
At the races - The start. (MS 98)1860Painting
Auguste de Gas (MS 1243)1857Painting
Autumn landscape (MS 1403)1890Pastel
Ballet Dancers in the Wingsc. 1890–1900Pastel
Ballet scene (MS 452)1885Painting
Ballet scene (MS 454)1896Painting
Ballet scene (MS 458)1887—1890Pastel
Bather Drying Herselfc. 1883–84Pastel
Beach at low tide (MS 1730)1869Pastel
Beach at low tide (MS 1742)1869Pastel
Beach at low tide (MS 1907)1869Pastel
Beach at low tide (MS 1915)1869Pastel
Beach at low tide (MS 2070)1869Pastel
Before the race (MS 73)1882Painting
Before the race (MS 74)1882Painting
Before the race (MS 81)1884Pastel
Before the race (MS 82)1885Pastel
Before the race (MS 86)1884Painting
Before the start (MS 78)1885Pastel
Boat at low tide (MS 1407)1869Pastel
Breakfast after the bath (MS 1039)1890Pastel
Breakfast after the bath (MS 1565)1895—1898Pastel
Bust of a woman (MS 869)1887—1890Painting
By the seashore (MS 1917)1869Pastel
Calm sea seen from a cliff (MS 1741)1869Painting
Chatting (MS 2061)1882—1885Pastel
Cliff on the seashore (MS 1230)1869Pastel
Cliff on the seashore (MS 671)1869Pastel
Copy after "The Finding of Moses" by Véronèse (MS 1401)1860Painting
Criminals physiognomies (MS 858)1881Pastel
Crouching nude woman from behind (MS 1235)1876Pastel
Dance exercises (MS 270)1891Pastel
Dancer (MS 282)1899Pastel
Dancer (MS 492)1880—1885Pastel
Dancer adjusting her bodice (MS 1576)1875Painting
Dancer adjusting her bodice (MS 293)1890Painting
Dancer adjusting her shoulder strap (MS 283)1899Pastel
Dancer adjusting her shoulder strap (MS 285)1889—1896Pastel
Dancer adjusting her shoulder straps (MS 275)1896—1899Pastel
Dancer Adjusting Her Slipper1873Graphite and chalk
Dancer adjusting her slipper (MS 1588)1887Pastel
Dancer adjusting her slipppers (MS 1581)1880Pastel
Dancer at the barre (MS 1731)1895—1898Pastel
Dancer at the barre (MS 2073)1874Pastel
Dancer at the barre (MS 2570)1885Pastel
Dancer bending (MS 486)1874—1879Pastel
Dancer bowing on her knee (MS 494)1895Pastel
Dancer combing her hair (MS 1390)1879Painting
Dancer dressing (MS 1745)1889Pastel
Dancer exercising (MS 483)1874Pastel
Dancer fastening her shoe (MS 2077)1887Pastel
Dancer in blue (MS 2349)1902Pastel
Dancer in bust (MS 1726)1897Pastel
Dancer in bust (MS 277)1895—1899Pastel
Dancer in green (MS 2608)1897—1901Pastel
Dancer in green (MS 273)1878Pastel
Dancer in pink bowing (MS 1418)1878Pastel
Dancer in red (MS 280)1893Pastel
Dancer in Ukrainian Dress1899Pastel
Dancer leaning (MS 2585)1874—1879Pastel
Dancer Moving Forward, Arms Raisedc. 1885–90Sculpture
Dancer nude study (MS 2348)1902Pastel
Dancer on stage (MS 1415)1879Painting
Dancer on stage (MS 478)1881—1885Pastel
Dancer Putting on Her Stocking1890s/1911Sculpture
Dancer reading (MS 165)1879Pastel
Dancer seated (MS 121)1872Painting
Dancer seen from behind (MS 2211)1889Pastel
Dancer seen from the back (MS 171)1874Painting
Dancer tilting (MS 423)1883Pastel
Dancer with a fan (MS 2592)1876Pastel
Dancer with arms crossed (MS 274)1872Painting
Dancer with arms raised (MS 1743)1891Pastel
Dancer with green bodice (MS 2345)1902Pastel
Dancer with raised arms (MS 475)1870Painting
Dancer with tambourine (MS 2053)1882Pastel
Dancer with tambourine (MS 450)1883Painting
Dancer with tambourine (MS 465)1897Painting
Dancers (MS 2215)1878Painting
Dancers (MS 2217)1890Pastel
Dancers (MS 2362)1904—1906Pastel
Dancers (MS 294)1890Pastel
Dancers (MS 471)1878Pastel
Dancers adjusting their hair (MS 286)1897Pastel
Dancers at rest (MS 1228)1898Pastel
Dancers at rest (MS 224)1874Painting
Dancers at the barre (MS 266)1877Pastel
Dancers at the barre (MS 267)1880Pastel
Dancers at the barre (MS 268)1900Painting
Dancers at the barre (MS 269)1900Pastel
Dancers Backstage1876/1883Oil painting
Dancers backstage (MS 271)1890Painting
Dancers behind the wings (MS 288)1880Pastel
Dancers bowing (MS 453)1885Pastel
Dancers in a landscape setting (MS 466)1895—1898Pastel
Dancers in pink (MS 1738)1900Pastel
Dancers in pink (MS 2364)1904Pastel
Dancers in red skirts (MS 451)1884Painting
Dancers in white (MS 1748)1878Pastel
Dancers in yellow skirts (MS 2359)1903Pastel
Dancers on stage (MS 1417)1881Pastel
Dancers on stage (MS 460)1880Pastel
Dancers on stage (MS 474)1884Pastel
Dancers resting (MS 2604)1890—1895Pastel
Dancers with fans (MS 291)1890Pastel
Dancers, Pink and Greenc. 1890Oil painting
Dante and Virgil at the Entrance of Hell (MS 2072)1857—1860Painting
Degas in studio smock (MS 688)1862Painting
Dunes along the sea (MS 1905)1869Pastel
Edmond Duranty (MS 732)1879Pastel
Elena et Camilla Primicile Carafa di Mantejasi (MS 695)1867Painting
Estelle Musson Balfour (MS 704)1872Painting
Estelle Musson Balfour (MS 710)1863—1865Painting
Fallen jockey (MS 1388)1870Painting
Farm at the foot of a cliff (MS 1918)1869Pastel
Four dancers (MS 1728)1885Pastel
Four dancers (MS 2365)1905Pastel
Four dancers (MS 287)1899Painting
Four dancers in blue (MS 2355)1903Pastel
Four dancers in the wings (MS 2356)1903Pastel
Four dancers on stage (MS 473)1897—1900Pastel
Germain Musson (MS 700)1853Painting
Getting off the bath (MS 1057)1884Pastel
Getting out of the bath (MS 1398)1898Pastel
Getting out of the bath (MS 1583)1879Pastel
Getting out of the bath (MS 1725)1900Pastel
Getting out of the bath (MS 2343)1901Pastel
Getting out of the bath (MS 2607)1895—1898Pastel
Giovanna Bellelli (MS 1242)1856Painting
Giulia Bellelli (MS 722)1858Painting
Green dancers (MS 469)1878Pastel
Hairdressing (MS 1387)1895Painting
Head of a woman (MS 290)1865Pastel
Head of a woman (MS 861)1873—1875Painting
Henri Degas and his niece Lucie Degas (MS 701)1875—1876Painting
Henri Rouart in front of his factory (MS 759)1875Painting
Horse races (MS 1928)1869—1872Painting
Horse races at Longchamp (MS 87)1873Painting
Horse riders in a lanscape (MS 2079)1860—1861Painting
Horse turned to the right (MS 95)1881—1885Pastel
Horse Walkingpossibly early 1870sSculpture
Horsemen riding on the sea shore (MS 1914)1868Pastel
Horseride (MS 80)1890—1895Painting
Horses and jockeys (MS 84)1890Painting
Horses in a medow (MS 2076)1871Painting
Houses along a cliff (MS 1587)1880—1890Painting
Houses on a cliff overlooking the sea (MS 1925)1869Pastel
Houses on the sea shore (MS 1408)1869Pastel
In the dance foyer (MS 2575)1897Pastel
James Tissot (MS 762)1867Painting
Jeantaud, Linet et Laîné (MS 859)1871Painting
Jockey (MS 2213)1889Pastel
Jockey in a red cap (MS 1931)1868Painting
Jockeys (MS 75)1877Painting
Jockeys (MS 83)1890Painting
Jockeys at Epsom (MS 97)1860Painting
Jules Perrot (MS 755)1875Painting
L'arlequin (MS 2223)1890Pastel
La Savoisienne (MS 863)1860—1862Painting
Lady with a parasol (MS 93)1870—1872Painting
Landscapec. 1877–79Monotype
Landscape1892Monotype with pastel
Landscape (MS 1572)1892Pastel
Landscape (MS 2233)1890—1893Painting
Landscape (MS 2234)1890—1893Pastel
Landscape with houses (MS 2567)1885—1890Pastel
Landscape with path leading to a copse of trees (MS 2610)1890—1892Painting
Laundress carrying linen (MS 2351)1902Pastel
Laundresses and horse (MS 2350)1902Pastel
Laundresses carrying baskets (MS 2352)1902Pastel
Little Dancer Aged Fourteen1878–81Sculpture
Little girl carrying flowers in her apron (MS 855)1862Painting
Lyda (MS 91)1870Painting
Marguerite de Gas (MS 713)1853—1854Painting
Mary Cassatt at the Louvre: The Paintings Gallery1879–80Print
Mathilde Musson Bell (MS 706)1872—1873Pastel
Meadow along a stream (MS 1934)1870—1875Pastel
Meadow bordering a river (MS 1577)Pastel
Mlle Bécat at the Ambassadeurs (MS 1410)1885Pastel
Morning toilette (MS 2078)1894Pastel
Mountain lake (MS 2229)1890—1893Pastel
Mountainous landscape (MS 2227)1890—1893Pastel
Mountainous landscape (MS 2230)1890—1893Pastel
Mr. and Mrs. Henry Rouart (MS 2358)1904Pastel
Mr. and Mrs. Louis Rouart (MS 2357)1904Pastel
Mr. and Mrs. Louis Rouart (MS 2360)1904Pastel
Mrs Alexis Rouart and her children (MS 1396)1905Pastel
Mrs Camus (MS 1908)1869Pastel
Naked woman at rest (MS 1557)1880Pastel
Naked woman drying herself (MS 1045)1900Pastel
Naked woman drying herself (MS 1058)1886Pastel
Naked woman warming up (MS 2065)1880Pastel
Nude woman combing her hair (MS 1245)1877—1879Pastel
Nude woman combing her hair (MS 2353)1903Pastel
Olive trees in a mountaineous landscape (MS 1574)1892Pastel
Porrtaits of women (MS 857)1868Painting
Portrait of a man (MS 1733)1864Painting
Portrait of a Man (MS 2220)1890Pastel
Portrait of a man [Portrait of man in an armchair] (MS 853)1866Painting
Portrait of a woman (Attributed) (MS 1404)1867Painting
Portrait of a woman (MS 2067)1885Painting
Portrait of a woman (MS 862)1878—1889Pastel
Portrait of a woman (MS 868)1884Painting
Portrait of a woman (MS 873)1867—1868Painting
Portrait of a woman before a piano (MS 2060)1882—1885Pastel
Portrait of a woman with a hat (MS 872)1884Pastel
Portrait of a woman with hat (MS 870)1887—1890Painting
Portrait of a young girl (MS 1901)1868Painting
Portrait of a young lady (MS 867)1878Painting
Portrait of a young woman after a D-drawing attributed to Leonardo da Vinci (MS 875)1858Painting
Portrait of Brandon (MS 2084)1874—1878Painting
Portrait of Elena Carafa (MS 696)1875Painting
Portrait of Henry Michel-Lévy (MS 1414)1873Painting
Portrait of the artist (MS 690)1863Painting
Preparation for the dance class (MS 247)1890Pastel
Program for the artistic evening of May 15, 1884 at the Ponsin Gallery (MS 2071)1884Pastel
Race Horsesc. 1885–88Pastel
Race horses (MS 76)1880Pastel
Races in the country (MS 96)1869Painting
Reclining nude woman (MS 2342)1901Pastel
René de Gas (MS 720)1855Painting
René de Gas with a inkwell (MS 719)1855Painting
Resting on field (MS 2055)1882Pastel
Riverbank (MS 1571)1890Pastel
Riverbank (MS 2083)1870—1875Pastel
Road in a forest (MS 1932)1870—1875Pastel
Road in a forest (MS 1933)1870—1873Pastel
Rocky coast (MS 1413)1890—1893Pastel
Rocky landscape (MS 2228)1890—1893Painting
Rue du Quesnoy at Saint-Valery-sur-Somme (MS 2069)1895—1898Pastel
Ruins of a bridge over a river (MS 1394)1892Pastel
Scene from the Steeplechase: The Fallen Jockey1866, reworked 1880–81 and c. 1897Oil painting
Sea at low tide (MS 1916)1869Pastel
Sea shore (MS 1920)1869Pastel
Sea shore (MS 1921)1869Pastel
Sea shore (MS 1924)1869Pastel
Seascape (MS 1906)1869Pastel
Seated nude woman combing her hair (MS 1236)1890Pastel
Seated woman brushing her hair (MS 2600)1887—1890Pastel
Self-Portraitc. 1855Drawing
Self-Portrait (MS 689)1862Painting
Self-Portrait (MS 691)1856—1858Painting
Self-Portrait (MS 693)1857—1858Painting
Self-Portrait (MS 694)1857Painting
Self-Portrait with White Collarc. 1857Oil on paper on canvas
Sitting woman combing her hair (MS 2568)1887—1890Pastel
Standing man in a bowler hat (MS 717)1874Painting
Standing nude woman (MS 1237)1880Pastel
Standing nude woman (MS 2218)1890Pastel
Standing woman (MS 1737)1866Painting
Stream in the undergrowth (MS 1935)1870—1875Painting
Studies of a woman's head and a seated dancer (MS 481)1879Pastel
Study for Mr and Mrs Louis Rouart (MS 1750)1904Pastel
Study for Mrs Camus at the piano (MS 2573)1869Pastel
Study of a Nude (Dancer at the Barre)1884–1900Drawing
Study of dancers (MS 2344)1901Painting
Study of folds of a hooded cloak (MS 2074)1861—1864Painting
Study of nude woman (MS 2059)1884Pastel
Study of sky (MS 1923)1869Pastel
The ball (MS 1248)1879Painting
The ballet rehearsal (MS 298)1877Painting
The bath (MS 1586)1900—1905Pastel
The bath (MS 2222)1890Drawing
The cellist Pilet (MS 1253)1868Painting
The child in blue (MS 854)1854Painting
The chocolate cup after the bath (MS 1247)1905—1907Pastel
The convalescent (MS 702)1872—1873Painting
The conversation (MS 1570)1895Pastel
The cup of chocolate (MS 1564)1900—1905Pastel
The Dance Class1874Oil on canvas
The dance class (MS 1406)1876Pastel
The dance class (MS 2068)1876Pastel
The Dance Lessonc. 1879Oil painting
The dance lesson or ballet class (MS 212)1875Pastel
The dance lesson or ballet class (MS 215)1878Painting
The dancer's rest (MS 1724)1885Pastel
The Duchess Montejasi and her Daughters Elena and Camilla (MS 699)1881Painting
The Duchess of Montejasi-Cicerale (MS 698)1868Painting
The duet (MS 1393)1877—1879Pastel
The duet (MS 1416)1877Pastel
The Extras or The chorus (MS 1254)1877Pastel
The false start (MS 99)1870Painting
The Firesidec. 1876–77Monotype
The Giovanna and Giulia Bellelli Sisters (MS 721)1865Painting
The Holy Family - Copy. (MS 1903)1868—1872Painting
The Holy Family after Sebastiano del Piombo (MS 1751)1857Drawing
The march (MS 56)1866Painting
The pedicure (MS 1251)1873Painting
The racecourse - Amateur jockeys near a carriage (MS 1249)1878Painting
The Races1871–72Oil painting
The rehearsal of the ballet (MS 2057)1881Painting
The singer (MS 2591)1877—1880Pastel
The Tubc. 1889Sculpture
The tub (MS 1252)1886Pastel
The violist (MS 2569)1880Pastel
Three dancers (MS 1585)1889Pastel
Three dancers (MS 2064)1879Painting
Three dancers (MS 2210)1889Pastel
Three dancers (MS 2216)1899Pastel
Three dancers (MS 2354)1903Pastel
Three dancers (MS 2614)1899Pastel
Three dancers (MS 467)1895—1898Pastel
Three dancers (MS 468)1890Pastel
Three dancers in salmon pink skirts (MS 2363)1904—1906Pastel
Three heads of men (MS 860)1871Painting
Three jockeys (MS 79)1900Pastel
Three study of dancers (MS 482)1879—1880Pastel
Two bathers (MS 2347)1902Pastel
Two Dancers1873Drawing
Two dancers (MS 1722)1880—1885Pastel
Two dancers (MS 2611)1880Pastel
Two dancers (MS 295)1890Pastel
Two dancers (MS 296)1890Pastel
Two dancers at rest or Dancers in blue (MS 1229)1898Pastel
Two Dancers in bust (MS 2561)1897Pastel
Two harlequins (MS 396)1885Pastel
Two sitting dancers (MS 1736)1896Pastel
Two Womenc. 1878/1880Pastel
Two women at their bath (MS 1568)1895Pastel
Valleys (MS 2232)1890—1893Pastel
View of Saint-Valery-sur-Somme (MS 2560)1896Painting
Walter Sickert, Daniel Halévy, Ludovic Halévy, Jacques-Emile Blanche, Gervex, Boulanger-Cavé (MS 856)1885Pastel
Wheat field and line of trees (MS 2225)1890—1892Pastel
Woman at her toilette (MS 1041)1890—1894Pastel
Woman at her toilette (MS 1048)1903Pastel
Woman at her toilette (MS 1050)1900Pastel
Woman at her toilette (MS 1559)1892Pastel
Woman at her toilette (MS 1561)1905—1907Pastel
Woman at her toilette (MS 2346)1902Pastel
Woman at her toilette (MS 2565)1895—1903Pastel
Woman Bathing in a Shallow Tub1885Pastel
Woman before a mirror (MS 370)1885—1886Pastel
Woman cleaning her left foot (MS 1232)1886Pastel
Woman combing her hair (MS 1746)1894Pastel
Woman combing her hair (MS 1238)1887—1890Pastel
Woman combing her hair (MS 1560)1892—1895Pastel
Woman combing her hair (MS 1727)1890Pastel
Woman combing her hair (MS 2237)1890—1895Pastel
Woman combing her hair before a mirror (MS 1250)1870—1875Painting
Woman comnbing her hair (MS 2209)1885Pastel
Woman drying erself after the bath (MS 2236)1890—1895Pastel
Woman drying her hair (MS 1042)1894Pastel
Woman drying her hair (MS 1044)1897Pastel
Woman drying her hair (MS 1569)1900Pastel
Woman drying her hair (MS 1729)1900—1903Pastel
Woman drying her hair (MS 1732)1885Pastel
Woman drying her left arm (MS 1055)1884Pastel
Woman drying her left arm (MS 1056)1884Pastel
Woman drying her right arm (MS 1052)1884Pastel
Woman drying herself (MS 1053)1884Pastel
Woman drying herself (MS 1059)1886Pastel
Woman drying herself (MS 1397)1888Pastel
Woman drying herself after the bath (MS 1562)1895Pastel
Woman Drying herself after the bath (MS 1563)1883Pastel
Woman drying herself after the bath wearing yellow mules (MS 2208)1889Pastel
Woman getting out of the bath (MS 1240)1881Pastel
Woman Having Her Hair Combedc. 1886–88Pastel
Woman in her bath washing her left leg (MS 1234)1883Pastel
Woman in mauve dress seated in an armchair or Mrs Alexis Rouart and Her Children (MS 2366)1905Pastel
Woman in red dressing gown combing her hair (MS 2207)1880Pastel
Woman Ironingbegun c. 1876, completed c. 1887Oil painting
Woman looking through opera glasses (MS 89)1881Painting
Woman sitting on a lawn (MS 2056)1882Pastel
Woman washing up in her tub (MS 1239)1892Pastel
Woman with a dog (MS 865)1875—1880Painting
Woman with a white apron (MS 94)1855Drawing
Woman with an umbrella (Mrs Jeantaud) (MS 866)1877—1880Painting
Woman with blue hat (MS 1558)1889Pastel
Woman with opera glasses (MS 90)1877Painting
Women ironing (MS 587)1875Painting
Women on the terrace of a café (MS 1241)1877Pastel
Young girl with white shawl (MS 874)1871Painting
Young spartan girls challenging boys (MS 1412)1860Painting
Young woman (MS 871)1890Painting
Young woman in black (MS 879)1861—1865Painting
Young woman in her bath (MS 1566)1890Pastel
Young woman standing by a table (MS 1739)1855Painting
Young woman tying the ribbons of her hat (MS 1244)1882Pastel
Young woman with her hand facing her mouth (MS 864)1875Painting

Discussion

Share what you notice in Degas’s before the curtain call.

Reader Insights

Close Looking

How does the high viewpoint shape the scene?

Context

What do the diagonal edges do to the composition?

Open Question

Why is Before Curtain-Rise the more accurate title?

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References

  1. Michel Schulman, digital Degas catalogue raisonné, Avant le lever du rideau, MS1645, exact image, title, date, pastel on paper, dimensions, Wadsworth accession, Lemoisne IV-1116 and history; checked 27 September 2026. View source
  2. National Gallery of Art, Degas at the Opéra exhibition object checklist, Before Curtain-Rise, c.1892, pastel on paper, Wadsworth 1956.477, credit and 50.8 × 34.3 cm; checked 27 September 2026. View source
  3. Edgar Degas, Avant le lever du rideau / Before Curtain-Rise, 1892, pastel on paper. Wadsworth Atheneum Museum of Art, 1956.477; Schulman MS1645; Lemoisne IV-1116. Collection record. View source
  4. Image: Edgar Degas, Before Curtain-Rise, 1892, Wadsworth Atheneum Museum of Art, 1956.477. Digital Degas catalogue; © Wadsworth Atheneum as credited there. View source